Thursday, October 9, 2025

COP30 must be a turning point that accelerates action to keep 1.5 degrees in reach, says UK DPM

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NEW YORK, USA – The following is a statement by David Lammy, UK deputy prime minister, at the UN Secretary-General’s UN Climate Summit 2025.

The statement reads:

Excellencies – thank you for convening us at this critical time, when climate change is demonstrably not a distant threat, or tomorrow’s problem.  It is an emergency – one that we must address with urgency.  The extreme heat, floods, wildfires and droughts throughout the world, are disrupting lives, livelihoods and economies everywhere.

But let’s be honest, the people paying the price, the hardest and deepest of prices, are those who contributed the least to this crisis. The most vulnerable in the most volatile places.

We must address this, and the United Kingdom is absolutely dedicated to playing its part.

At COP29 last November, our prime minister announced the UK’s commitment. Our Nationally Determined Contribution to fighting climate change under the Paris Agreement.  It will cut our greenhouse gas emissions by at least 81 percent by 2035, compared to 1990 levels.

It is economy-wide, covering every single sector. Aligned with the goal of keeping global warming at 1.5 percent.

Nationally Determined Contributions matter because they send a signal to our citizens, to investors, and to the world that we are ambitious and determined to deliver on climate change. And let me be clear: ambition is not a drag on growth as some would suggest– it drives growth.

The UK is the first major economy to halve its emissions, while also growing its economy by over 80 percent.  Last year our green economy grew three times faster than the economy as a whole. This is the growth story of the coming decade.  And ambitious NDCs are the foundation for attracting the investment that makes it possible. But none of us can succeed alone.

Multilateralism is the key to achieving our ambitions. Before Paris, we were on track for 4°C of warming by the end of this century. Now, if we each deliver on our 2030 NDC commitments, we are on track for 2.6°C.  If we also all fulfil our Net Zero commitments, it could be 1.9°C.

Progress is real, but it is not enough. Our current pledges must be the floor, not the ceiling. We must stretch further or we risk impact on our climate that will cost all of us far more in the long term.  That is why the UK will continue to support developing countries, including through the NDC Partnership. And that is why we must come together at COP30.

We commend Brazil’s clear focus on making multilateralism work at COP30 in Belém. COP30 must be a turning point—one that delivers credible pathways to course-correct and accelerate action. To show the world that we will act – together and with urgency – to keep 1.5 degrees in reach.

Not just for our own sakes, but for those communities of people who contributed so little to the problem and suffer so much from its effects.

The post COP30 must be a turning point that accelerates action to keep 1.5 degrees in reach, says UK DPM appeared first on Caribbean News Global.

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eNGee Dadon pushes social commentary

KINGSTON, Jamaica — Dancehall artiste eNGee Dadon has been creating more momentum with the tracks Crocodile Masicka and Is Masicka A Nanny?.

The entertainer, who was formerly known as Pickney, explained that these songs are social commentary based on observations in the industry.

“Crocodile Masicka” came from a review on the present Dancehall situation. The fans [have] been talking about Masicka’s sidekick who got whipped by Devin Di Doctor and Masicka didn’t defend his bro — that was the spark. I didn’t jump in to throw shade, I just analysed the conversation through music. Dancehall is commentary, so I put the narrative in melody form. It’s social reflection mixed with lyrical observation. The crocodile in the story represent fear and pride hiding behind silence,” eNGee Dadon said.

Crocodile Masicka was released on August 9 and has since earned thousands of streams. The other release made its debut at the beginning of October, and has upped the ante on discourse among music fans and analysts.

Reiterating that there is no bad blood between him and Masicka, the deejay anticipates that listeners will be able to appreciate music artistry and its link between current happenings.

“My hope is that Crocodile Masicka open people eyes to how powerful Dancehall still is when it mirror the culture. I want it to show that you can address current issues without losing creativity. If it sparks more artistes to go lyrical again, mission complete. And if it cross over to international audience, even better—because the world love truth told with rhythm,” he explained.

As for the second track, eNGee Dadon noted that some listeners have found the title bold, while some have found humour and others appreciate the literary devices in the lyrics.

“That one came straight from curiosity and cultural debate. Everybody was calling themselves GOATs (greatest of all time) in dancehall, and mi just flip it. If the goat is a female, is the goat a nanny? It’s satire mixed with wordplay. The title itself is a question — not an insult, but a mirror to how titles and ego move in the game. It’s dancehall theatre; intelligent provocation with humour,” he explained.

Amidst the new releases, eNGee Dadon is also celebrating his second place ranking on the Brando Music Review Show’s weekly chart for the track Dancehall Jealousy.

“It’s a blessing and a big acknowledgment of the work I’ve been putting in. Brando Music Review is respected, so being number two shows that independent artistes like me can move the space without major label push. It’s fuel for the fire. I appreciate the recognition but I’m still aiming for that number one spot. It also validate the fans who been supporting eNGee Dadon from day one,” he said.

The deejay is currently pushing multiple projects under New Generation Music Entertainment including: Venus Inna Vans, Christian Girl Gone, and Thanks You.

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