Wednesday, October 8, 2025

‘KPop Demon Hunters’ craze hits theaters after topping Netflix, music charts

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LOS ANGELES, United States (AFP) — Netflix’s gargantuan hit film “KPop Demon Hunters” has captured the global zeitgeist this summer, smashing streaming and music chart records. Now it is coming for movie theatres.

An animated musical about a trio of Korean pop starlets who fight demons with infectious songs and synchronised dance moves, “Demon Hunters” has been watched 210 million times and currently has five of the global top 10 songs on Spotify.

In an unlikely journey, the streaming mega-hit is tipped by analysts to hit number one at the box office this weekend, with thousands of cosplaying fans headed to sold-out “singalong screenings” in theatres across five countries.

“Insane, crazy, surreal,” singer EJAE, who co-wrote the film’s biggest track “Golden” and performs heroine Rumi’s songs, told an advance screening at Netflix’s Hollywood headquarters this week.

“I’m just really grateful I’m able to be part of this crazy cultural phenomenon.”

For the uninitiated, the film’s premise is bizarre yet simple.

Demons who feed on human souls have been trapped in an

other realm by the powerful voices of girl group HUNTR/X.

To fight back, the demons secretly send their own devilishly handsome boy band to steal HUNTR/X’s fans and feast on their essences.

Rivalries ensue, loyalties fray, and an unlikely romance evolves over 90 minutes of power ballads and pop earworms, all against anime-style backdrops of Seoul’s modern skyline and traditional bathhouses and thatched hanok homes.

Released in June, “KPop Demon Hunters” is already Netflix’s most-watched animated offering, and sits second on the all-time chart for any original film. It is likely to take the top spot within the week.

“This movie is a triple threat. It’s got fantastic writing. It has got stunning animation. And the songs are bangers,” said Wendy Lee Szany, a Los Angeles-based movie critic and KPop devotee.

Indeed, songs by the movie’s fictional HUNTR/X and boy-band rivals Saja Boys occupy three of the Billboard top 10 — a feat no movie soundtrack has achieved since the 1990s.

While combining the global KPop craze with sexy supernatural monsters might sound like an obvious recipe for Netflix’s much-vaunted algorithm, nobody expected “Demon Hunters” to take off on this scale.

It was made by Hollywood studio Sony Pictures, intended for the big screen, but sold to Netflix during the pandemic when many theatres were shuttered.

That may have worked to the film’s advantage, said John Nguyen, founder of pop culture website Nerd Reactor.

“If Sony had released it in theatres, I don’t think it would have been as big,” he said.

“It’s word-of-mouth. People shared it, talked about it, posted videos on social media of fans and families singing along in their living rooms.”

Endless homespun TikTok dance videos have added to the momentum.

“People who haven’t seen the movie yet are seeing these memes, they can’t escape it, so they just end up like, ‘Okay, I’m gonna sit down this weekend (and watch) on Netflix,” said Szany.

“And then they fall in love with it.”

Seeking to capitalise, Netflix — usually averse to movie theatres — is hosting “sing-alongs” at 1,700 North American cinemas this weekend.

Fans are invited to dress up, whip their phones out and film themselves singing at their top of their voices.

The approach has cinema traditionalists despairing, but earned Taylor Swift’s concert movie $260 million at the box office in 2023.

Early estimates suggest “KPop Demon Hunters” could make $15 million in domestic theatres and top this weekend’s box office.

Analyst David A Gross of Franchise Entertainment Research said that figure seemed “reasonable… for now,  but could get “shattered” if a rush of demand causes theatre owners to add extra screenings.

That would be a welcome shot in the arm for movie theatres, after the bleak years of Covid-19, Hollywood strikes, and younger audiences migrating to — ironically — streaming.

“There were literally so many kids singing their hearts out,” said Szany, who attended Netflix’s advance singalong, and has watched the film at least eight times.

“I was like, wow, they know all the lyrics better than I do.”

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‘Call To Balance’ among those vying for 2026 Grammy nomination

When Kēvens submitted his album, Call To Balance, to the Grammy Awards committee for consideration in its Best Reggae Album category, their initial response was positive.

But on October 1, the Miami-based singer-songwriter was contacted by the Grammy committee which informed him that Call To Balance would be in the preliminary running for Album of The Year and Best Global Album at next year’s awards.

The set is a blend of dub, reggae and dancehall which Kēvens first heard as a youth in South Florida. The dreadlocked artiste says he and like-minded colleagues introduced that mash to fans in Miami’s clubs in the early 1990s. It was a precursor to what became electronic dance music (EDM).

“This moment represents more than an industry milestone. It's validation of a 25-year journey that started in Miami's underground scene when I first introduced reggae EDM at the 1998 Florida Zenfest,” Kēvens told Observer Online.

Call To Balance contains songs with social messages, like Save Me and Sonadores Legales. The latter is a Spanish interpretation of Legal Dreamers, which reintroduced him to the music scene after a two-year absence.

Kēvens grew up on Jamaican music, with Yellowman, Super Cat and Tenor Saw among his favourite artists. Later, he befriended multi-instrumentalist Bob Zohn, co-founder of the Blue Riddim Band, a groundbreaking reggae unit from Kansas City, Missouri.

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The nominees for the 68th Grammy Awards will be announced on November 7. The Grammys are scheduled for February 1 at the Crypto.com Arena in Los Angeles.

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